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These are captivating performances, beautifully recorded.

The Etudes as presented by Jean-Efflam Bavouzet are marvels of musical insight and control. Debussy’s studies of tone and rhythm are brought to life with understated virtuosity. Bavouzet plays with great subtlety and fluency and the results are completely engaging.

The Children’s Corner is equally compelling. An entrancing creation of swirling colours and emotions, at no stage does Bavouzet allow Debussy’s whimsical setting for this collection of musical tableaux to become cloying or distracting. As with the Etudes, the recorded sound of the piano is miraculously good.

The recording was made in 1996 but not released by the Japanese label, Octavia Records, until 2005 (as a ‘hybrid’ SACD). This perhaps explains its obscurity relative to Bavouzet’s more recent recordings of the same material.
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