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Brahms's important output of 24 chamber scores dominated the second half of the 19th century, as that of Beethoven had dominated the first half. His corpus was thus a response to that of Beethoven, his model, and to that of Mendelssohn, who was likewise born in Hamburg and also composed two cello sonatas. In 1890, aged only 57, Brahms resolved to give up composing but he had reckoned without the inspiration that his meeting with the Meiningen clarinettist Richard Mühlfeld was to have on his creative imagination. He subsequently added four scores for clarinet to his output, including this Trio Op. 114.

Louis Schwizgebel-Wang was awarded 2nd prize at the Leeds Piano Competition 2012.
曲目:
01. Sonate pour violoncelle et piano No. 2 en Fa Majeur, Op. 99 I. Allegro vivace            
02. Sonate pour violoncelle et piano No. 2 en Fa Majeur, Op. 99 II. Adagio affettuoso        
03. Sonate pour violoncelle et piano No. 2 en Fa Majeur, Op. 99 III. Allegro passionato      
04. Sonate pour violoncelle et piano No. 2 en Fa Majeur, Op. 99 IV. Allegro                  
05. Sonate pour violoncelle et piano No. 1 en Mi Mineur, Op. 38 I. Allegro                  
06. Sonate pour violoncelle et piano No. 1 en Mi Mineur, Op. 38 II. Allegretto quasi minuetto
07. Sonate pour violoncelle et piano No. 1 en Mi Mineur, Op. 38 III. Allegro                 
08. Trio pour clarinette, violoncelle et piano en La Mineur, Op. 114 I. Allegro alla breve   
09. Trio pour clarinette, violoncelle et piano en La Mineur, Op. 114 II. Adagio              
10. Trio pour clarinette, violoncelle et piano en La Mineur, Op. 114 III. Andantini grazioso
11. Trio pour clarinette, violoncelle et piano en La Mineur, Op. 114 IV. Finale allegro      

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